Light in the Attic and Angel Olsen celebrate Karen Dalton w/ a cover of "Something on Your Mind”
LIGHT IN THE ATTIC CONTINUES 50th ANNIVERSARY CELEBRATION FOR
KAREN DALTON’S MASTERPIECE IN MY OWN TIME
WITH NEW SINGLE FEATURING ANGEL OLSEN COVERING SINGER’S ICONIC INTERPRETATION OF “SOMETHING ON YOUR MIND”
(out today as part of LITA’s on-going 7” vinyl and digital singles Cover Series)
LITA’s 50th anniversary tribute also includes a reissue of In My Own Time available in Standard and Super Deluxe Edition, featuring previously unreleased live performance audio, plus alternate studio takes, and rarely seen photos (due out March 25th and available now to pre-order)
First single from In My Own Time (50th Anniversary Super Deluxe Edition) “Something on Your Mind (Alternate Take)”
(available now to stream/download)
First-ever official online store (Karen-Dalton.com) for the legendary blues and folk singer recently launched,
in partnership with The Estate of Karen Dalton, featuring new limited-edition merchandise
Coinciding with the anniversary album and single releases:
Acclaimed documentary Karen Dalton: In My Own Time, co-executive produced by LITA,
premiered in theaters October 1st and released digitally November 16th
single cover art and product shot mock-up for single, “Something on Your Mind”
Click here to listen to Angel Olsen’s cover and here to order
Click here to watch release trailer
Click here for first single “Something on Your Mind” (Alternate Take)
Click here to download cover art, product shots, and artist photos
Click here to pre-order
Los Angeles, CA (January 13, 2022)─As part of their 50th anniversary celebration for Karen Dalton’s 1971 masterpiece, In My Own Time, celebrated archival reissue label Light in the Attic (LITA) released a new single today (1/13) featuring North Carolina-based Angel Olsen covering the singer’s iconic “Something on Your Mind.” Click here to listen to Olsen’s cover and here to order.
Written by Dino Vallenti, the track was originally found on Dalton’s second album, In My Own Time. The single is the latest installment from LITA’s on-going 7” vinyl and digital singles Cover Series, featuring the labels favorite artists covering their favorite artists' songs. The single was pressed at Third Man Pressing, with artwork by Los Angeles-based fine artist Robbie Simon. Previous releases from the Cover Series include: musician, poet, and author Leslie Winer collaborating with Manchester-born composer Maxwell Sterling on a truly gorgeous cover of Tim Buckley’s 1967 forlorn love song “Once I Was,” Bill Callahan & Bonnie ‘Prince’ Billy covering Johnnie Frierson’s beautiful and inspiring tune “Miracles,” BADBADNOTGOOD with Jonah Yano covering “Key To Love (Is Understanding)" by Milwaukee’s funk/soul pioneers Majestics, Charles Bradley & the Menahan Street Band covering Sixto Rodriguez’s “I’ll Slip Away,” Mac DeMarco covering Haruomi Hosono’s “Honey Moon," and Iggy Pop & Zig Zags transforming Betty Davis’ dirty funk track "If I'm In Luck I Might Get Picked Up" into a heavy Sabbath grind, amongst many others. Click here to revisit past singles from the series.
LITA’s anniversary edition of In My Own Time -- a true masterpiece by one of music’s most mysterious, enigmatic, and enduringly influential artists; featuring Dalton’s interpretations of songs such as “Are You Leaving for the Country,” “When a Man Loves a Woman,” “Katie Cruel,” and her posthumously recognized signature performance of “Something on Your Mind” -- is due out March 25th and available now to pre-order in multiple formats (including a Standard Edition and the bonus-filled Super Deluxe Edition). Click here to watch the release trailer and the first single, “Something on Your Mind” (Alternate Take), is available now to stream/download. More info and tracklisting for each edition is below.
Expanding exponentially upon LITA’s critically acclaimed 2006 reissue of the album (co-produced by Nicholas Hill and praised by The New York Times as “…bone-chillingly wonderful;” 9/10 by Pitchfork), In My Own Time (50th Anniversary Super Deluxe Edition) features the newly-remastered original ten-track album on three sides of 45-RPM, 180-gram vinyl pressed at Record Technology Inc. (RTI), with the fourth side showcasing alternate takes from the album sessions. The set includes nine bonus tracks overall (including six previously unreleased live performances), including Live at The Montreux Golden Rose Pop Festival (May 1, 1971), available exclusively as part of the Super Deluxe Edition. This is the first time this audio has been made available in any physical format -- presented on 180-gram 12-inch vinyl, pressed at Third Man Record Pressing, and featuring a stunning etching of Dalton by acclaimed artist Jess Rotter on the B-Side. Accompanying the bonus record is a replica playbill from the festival, meticulously arranged and compiled from vintage source material by Darryl Norsen.
The Super Deluxe Edition also contains a CD with all tracks included in the package and two 7” singles, including previously unreleased live recordings captured at Germany’s Beat Club in April of 1971 ─ both pressed at Third Man Record Pressing and housed in tip-on jackets. All audio has been newly remastered by Dave Cooley, while lacquers were cut by Phil Rodriguez at Elysian Masters. A 20-page booklet, featuring rarely seen photos and liner notes from musician and writer Lenny Kaye (with contributions from Nick Cave and Devendra Banhart), rounds out the package, which comes housed in a special trifold jacket, individually foil stamped and numbered. Strictly limited to 2,000 copies worldwide, the Super Deluxe Edition is available now to pre-order exclusively at Karen-Dalton.com and LightInTheAttic.net, with a movie poster bundle offering. More info on the poster below.
Additionally, the expanded 19-track anniversary edition of In My Own Time (also offered as part of the Super Deluxe Edition) will be available separately on CD and digitally. Plus, a cassette edition is being offered that features 15-tracks, excluding the Live at The Montreux Golden Rose Pop Festival audio, which is exclusive to the Super Deluxe, CD, and digital editions. Lastly, In My Own Time (50th Anniversary Standard Edition) -- featuring the newly-remastered original 10-track album -- is available (online) as a limited-edition 8-track. The booklet (featuring unseen photos and liner notes) is only included with LP and CD editions. All formats will be available at independent record stores (with the exception of the online exclusive Super Deluxe Edition), as well as at Dalton’s online store and LITA’s site.
In partnership with The Estate of Karen Dalton and in conjunction with the pre-order launch (11/9) for the anniversary release, LITA debuted the first-ever official online store (Karen-Dalton.com) for the legendary blues and folk singer. The online store features new limited-edition merchandise (including a cozy crewneck sweatshirt by acclaimed illustrator Jess Rotter, a t-shirt by visual artist and performer Sofia Tormenta, and a 18” x 24” limited-edition lino-cut, screen printed poster by Brighton, U.K.-based illustrator and artist Sophy Hollington), available now to pre-order and also available at LightInTheAttic.net.
Coinciding with the anniversary and single releases is the internationally acclaimed documentary film, Karen Dalton: In My Own Time, which premiered in theaters on October 1st and released digitally on November 16th through Greenwich Entertainment. Directed by Robert Yapkowitz and Richard Peete, and executive produced by Light in the Attic, Wim Wenders, and Delmore Recording Society, the film chronicles the life, music, and legacy of Dalton and features interviews with family, friends, collaborators, and a variety of artists (including Peter Walker, Nick Cave, Lacy J. Dalton, and Vanessa Carlton). Angel Olsen lends her voice to the film as the principle narrator, reading aloud from Dalton’s personal journal. Click here to watch the film’s trailer. Praise for the film includes: The Hollywood Reporter (“In sync with a singular musical artist. In tune with the haunting poetics of her work.”), The Guardian (“An unvarnished authenticity that cannot be mass-manufactured.”), The New York Times (“Critic’s Pick: An Elemental Musical Force.”), and The Washington Post (“The new film spotlights a fascinating tale of a singularly talented and complex woman.”). As a special gift, all orders of LITA’s In My Own Time (50th Anniversary Super Deluxe Edition) will include an 18” x 24” fold-out of the documentary’s movie poster, illustrated by artist Matt McCormick.
More about Karen Dalton and In My Own Time:
The Oklahoma-raised Dalton (1937-1993) brought a range of influences to her work. As Lenny Kaye writes in the liner notes, one can hear “the jazz of Ella Fitzgerald and Billie Holiday, the immersion of Nina Simone, the Appalachian keen of Jean Ritchie, [and] the R&B and country that had to seep in as she made her way to New York.”
Armed with a long-necked banjo and a 12-stringed guitar, Dalton set herself apart from her peers with her distinctive, world-weary vocals. In the early ‘60s, she became a fixture in the Greenwich Village folk scene, interpreting traditional material, blues standards, and the songs of her contemporaries, including Tim Hardin, Fred Neil, and Richard Tucker, whom she later married. Bob Dylan, meanwhile, was instantly taken with her artistry. “My favorite singer in the place was Karen Dalton,” he recalled in Chronicles: Volume One (Simon & Schuster, 2004). “Karen had a voice like Billie Holiday and played the guitar like Jimmy Reed.”
Those who knew Dalton understood that she was not interested in bowing to the whims of the record industry. On stage, she rarely interacted with audience members. In the studio, she was equally as uncomfortable with the recording process. Her 1969 debut, It’s So Hard to Tell Who’s Going To Love You The Best (reissued by Light in the Attic in 2009) was captured on the sly when Dalton assumed that she was rehearsing songs. When Woodstock co-promoter Michael Lang approached Dalton about recording a follow-up for his new imprint, Just Sunshine, she was dubious, to say the least. The album would have to be made on her own terms, in her own time. That turned out to be a six-month period at Bearsville Studios in Woodstock, NY.
Producing the album was bassist Harvey Brooks, who played alongside Dalton on It’s So Hard to Tell Who’s Going To Love You The Best. Brooks, who prided himself on being “simple, solid and supportive,” understood Dalton’s process but was also willing to offer gentle encouragement and challenge the artist to push her creative bounds. “I tried to present her with a flexible situation,” he told Kaye. “I left the decisions to her, to determine the tempo, feel. She was very quiet, and I brought all of it to her; if she needed more, I’d present options. Everyone was sensitive to her. She was the leader.”
Dalton, who rarely performed her own compositions, selected a range of material to interpret—from traditional songs such as “Katie Cruel” and “Same Old Man” to Paul Butterfield’s “In My Own Dream” and Richard Tucker’s “Are You Leaving For The Country.” She also expanded upon her typical repertoire, peppering in such R&B hits as “When a Man Loves a Woman” and “How Sweet It Is.” In a departure from her previous LP, Dalton’s new recording offered fuller, more pop-forward arrangements, featuring a slew of talented studio musicians.
While ‘70s audiences may not have been ready for Dalton’s music, a new generation was about to discover her work. In the decades following her death, a slew of artists would name Dalton as an influence, including Lucinda Williams, Joanna Newsom, Nick Cave, Angel Olsen, Devendra Banhart, Sharon Van Etten, Courtney Barnett, and Adele. In the new documentary film Karen Dalton: In My Own Time, Cave muses on Dalton’s unique appeal: “There’s a sort of demand made upon the listener,” he explains. “Whether you like it or not, you have to enter her world. And it’s a despairing world.” Peter Walker, who also appears in the film, elaborates on this idea: “If she can feel a certain way in her music and play it in such a way that you feel that way, then that’s really the most magical thing [one] can do.” He adds, “She had a deep and profound and loving soul…you can hear it in her music.
Tracklist - In My Own Time (50th Anniversary Super Deluxe Edition):
1. Something on Your Mind
2. When a Man Loves a Woman
3. In My Own Dream
4. Katie Cruel
5. How Sweet It Is
6. In a Station
7. Take Me
8. Same Old Man
9. One Night of Love
10. Are You Leaving for the Country
11. Something on Your Mind (Alternate Take)
12. In My Own Dream (Alternate Take)
13. Katie Cruel (Alternate Take)
14. One Night Of Love (Live at Beat Club, Germany, April 21, 1971)*
15. Take Me (Live at Beat Club, Germany, April 21, 1971)*
16. Something on Your Mind (Live at The Montreux Golden Rose Pop Festival, May 1, 1971)*
17. Blues on the Ceiling (Live at The Montreux Golden Rose Pop Festival, May 1, 1971)*
18. Are You Leaving for the Country (Live at The Montreux Golden Rose Pop Festival, May 1, 1971)*
19. One Night of Love (Live at The Montreux Golden Rose Pop Festival, May 1, 1971)*
1-10: Originally released on Just Sunshine – PAS 6008 (1971)
11-13: Alternate takes from album sessions (1970-71)
14-15: Recorded live at Beat Club in Germany (April 21, 1971)
16-19: Recorded live at The Montreux Golden Rose Pop Festival (May 1, 1971)
* previously unreleased
Tracklist - In My Own Time (50th Anniversary Standard Edition):
1. Something on Your Mind
2. When a Man Loves a Woman
3. In My Own Dream
4. Katie Cruel
5. How Sweet It Is
6. In a Station
7. Take Me
8. Same Old Man
9. One Night of Love
10. Are You Leaving for the Country
1-10: Originally released on Just Sunshine – PAS 6008 (1971)
About Light in the Attic:
Since rising to worldwide prominence off the grassroots success with reclusive singer-songwriter Sixto Rodriguez, whose unlikely story of personal triumph received long-overdue worldwide acclaim in the 2012 Academy Award®-winning documentary Searching for Sugar Man, Light in the Attic (LITA) has gone onto earn GRAMMY®-nominations in multiple categories, including Best Historical Album for Native North America (Vol. 1): Aboriginal Folk, Rock, and Country 1966–1985 in 2014 and Kankyō Ongaku: Japanese Ambient, Environmental & New Age Music 1980–1990 in 2019. Their exuberance and dedication to spreading joy through music has propelled LITA through the release of 200+ titles worldwide (from Nancy Sinatra to Donnie & Joe Emerson, Betty Davis to Haruomi Hosono, Karen Dalton to Serge Gainsbourg, and so many more), setting the pace for reissue labels and the archival process.
LITA is co-owned and operated by high school friends Matt Sullivan and Josh Wright. In addition to the label’s acclaimed output, the company also distributes for a 100+ record labels. In 2010, LITA expanded from their native Seattle, opening an office in Los Angeles, which includes a successful music house focused on licensing for film, television, and advertisements, along with music supervision. LITA also operates a thriving brick-and-mortar record store, Light in the Attic Record Shop, located in Seattle at KEXP’s Gathering Space. On November 2, 2021, LITA announced a year-long slate of exclusive releases, events, merch, and more in celebration of the labels 20th anniversary. For more info, visit LightInTheAttic.net and follow on Facebook, Twitter, Instagram, YouTube, Spotify, and Apple Music.
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